{"id":6,"date":"2025-12-24T02:02:54","date_gmt":"2025-12-24T00:02:54","guid":{"rendered":"https:\/\/www.bulldogsound.online\/silverstorm\/"},"modified":"2026-01-22T22:44:08","modified_gmt":"2026-01-22T20:44:08","slug":"silverstorm","status":"publish","type":"page","link":"https:\/\/www.bulldogsound.online\/en\/","title":{"rendered":"\u0413\u043b\u0430\u0432\u043d\u0430\u044f \u0441\u0442\u0440\u0430\u043d\u0438\u0446\u0430"},"content":{"rendered":"
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Specialized Analog Guitar Recording & Reamping<\/h2>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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Guitar Amplification<\/h5>\n <\/div>\n <\/div>\n
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All the best amplifiers are here<\/h2>\n <\/div>\n <\/div>\n
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All the most iconic guitar amplifiers of all time are gathered here in our guitar recording studio.\n
From the classic VOX AC30 to high-gain beasts like the ENGL Fireball and Powerball \u2014 you can shape your tone exactly the way you want.\n
And the best part? You don\u2019t even have to leave your home\u2026 but more on that below.<\/p>\n

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Guitar Cabinets<\/h5>\n <\/div>\n <\/div>\n
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Secrets of Guitar Cabinets<\/h2>\n <\/div>\n <\/div>\n
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When recording guitars, it\u2019s not just about the speaker you\u2019re using, but also the number of speakers in the cabinet \u2014 it has a huge impact on the density and character of your tone. And of course, the cabinet material is a whole universe in itself. That\u2019s why, as a dedicated guitar recording studio, we don\u2019t use MDF cabinets.<\/p>\n <\/div>\n <\/div>\n

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1x12 Guitar Cabinets<\/h4>\n <\/div>\n <\/div>\n
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We\u2019ve carefully assembled a selection of 1x12\u2033 cabinets featuring different speaker models from leading brands, allowing you to capture the most detailed and true sound of your favorite speaker.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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2x12 Speaker Cabinets<\/h4>\n <\/div>\n <\/div>\n
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Compared to a 1x12\u2033, a 2x12\u2033 cabinet allows your favorite speaker to truly shine by pushing two speakers simultaneously. We keep both open-back and closed-back 2x12\u2033 cabinets to give you a wide range of sustain and tonal weight.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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4x12 Speaker Cabinets<\/h4>\n <\/div>\n <\/div>\n
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You can\u2019t have a proper guitar studio without big, heavy 4x12\u2033 cabs. Crank your riffs through all four speakers and get that thick, aggressive tone everyone loves.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Hybrid Setups & Creative Approaches<\/h4>\n <\/div>\n <\/div>\n
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This is an area where we\u2019ve developed our own signature techniques. Our studio features 8\u2033 and 10\u2033 speakers, along with multi-speaker recording setups using two or more speakers at once, carefully matched for optimal results.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Guitar Recording Microphones<\/h5>\n <\/div>\n <\/div>\n
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The right microphones define your guitar tone.<\/h2>\n <\/div>\n <\/div>\n
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Relying on EQ to \u2018fix it later\u2019 is the mistake that separates premium guitar tone from generic, low-end sound. Every EQ introduces phase artifacts that can damage the mix. That\u2019s why specialized microphones exist \u2014 to capture your tone right at the source and place it firmly in the top-tier category.<\/span><\/p>\n <\/div>\n <\/div>\n

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Relying on EQ to \u2018fix it later\u2019 is the mistake that separates premium guitar tone from generic, low-end sound. Every EQ introduces phase artifacts that can damage the mix. That\u2019s why specialized microphones exist \u2014 to capture your tone right at the source and place it firmly in the top-tier category.<\/span><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Condenser & Tube Microphones<\/h4>\n <\/div>\n <\/div>\n
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These microphones define the sound of the room \u2014 your natural reverb. We\u2019ll track your guitar in the right room with the right mic, then decide between tube or condenser microphones once the preamp is chosen.<\/span><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Ribbon Microphones<\/h4>\n <\/div>\n <\/div>\n
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Ribbon microphones add weight, identity, and true premium character to guitar tone. Because they\u2019re costly, not every studio offers them. For us, recording guitars without ribbons is not an option \u2014 that\u2019s why our studio is equipped with a carefully selected collection of high-end ribbon microphones.<\/span><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Unconventional Tone Magic<\/h4>\n <\/div>\n <\/div>\n
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This is our favorite microphone category \u2014 collectible microphones. There\u2019s always room for someone who refuses to play by the rules. These are rare, forgotten, or almost unknown microphones that bring something truly special to the table. And yes \u2014 they make your guitar sound one of a kind.<\/span><\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Professional Studio Processing<\/h5>\n <\/div>\n <\/div>\n
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The Things Guitarists Never Think About<\/h2>\n <\/div>\n <\/div>\n
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Many guitarists believe that recording a Gibson R9 through a Diezel VH4 is all it takes. In reality, while a great guitar and amp head matter, true studio magic lives in the small, specialized pieces of gear behind the scenes. These tools cost tens of thousands of dollars, and studios worldwide compete to own them \u2014 because they provide that unmistakable, premium studio character. Each of these devices adds its own unique, high-end sonic color.<\/p>\n <\/div>\n <\/div>\n

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Mic Preamps & Front-End Gear<\/h4>\n <\/div>\n <\/div>\n
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The mic grabs your guitar off the speaker and sends it into a mic preamp \u2014 not a guitar preamp. Better preamps mean better texture and vibe. The more preamps we have, the more tonal colors your guitar can take on<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Studio Compressors<\/h4>\n <\/div>\n <\/div>\n
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This is a device that smooths out your guitar signal, and many engineers prefer not to use it while tracking. But if your engineer is experienced and knows that this particular part calls for a Teletronix LA-2A, then that $20,000 piece of gear absolutely belongs in the signal chain \u2014 to achieve that exact\u2026<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Harmonic Saturation & Enhancement<\/h4>\n <\/div>\n <\/div>\n
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When a DI guitar track for re-amping comes in less than ideal, enhancers like exciters, vitalizers, and other processing tools can help bring it back to life. These processors aren\u2019t limited to bad signals either \u2014 they can also be used creatively on clean tracks when the musical idea demands it.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Signal Splitters, DI Boxes & Reamp Units<\/h4>\n <\/div>\n <\/div>\n
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These boxes form the foundation of re-amping and advanced signal routing. They convert instrument-level guitar signals to line level \u2014 and back again. Without this process, re-amping and parallel recording don\u2019t exist. That\u2019s why we only use high-end, fully reactive units \u2014 anything else simply won\u2019t deliver.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\u041a\u043e\u0440\u043e\u0431\u043e\u0447\u043a\u0438 \u0431\u0435\u0437 \u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u043d\u0435 \u0436\u0438\u0442\u044c<\/h2>\n <\/div>\n <\/div>\n
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\u0418 \u0432\u043e\u0442 \u043e\u043d\u0438 \u043d\u0430\u0448\u0438 \u043b\u044e\u0431\u0438\u043c\u044b\u0435 \u0433\u0438\u0442\u0430\u0440\u043d\u044b\u0435 \u043f\u0440\u0438\u043c\u043e\u0447\u043a\u0438. \u041a\u043e\u043d\u0435\u0447\u043d\u043e \u0436\u0435 \u0443 \u0442\u0435\u0431\u044f \u0435\u0441\u0442\u044c \u0441\u0432\u043e\u0438 \u0438\u043b\u0438 \u0442\u044b \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u0443\u0435\u0448\u044c \u043f\u0440\u043e\u0446\u0435\u0441\u0441\u043e\u0440. \u041d\u043e \u043f\u043e\u0447\u0435\u043c\u0443 \u0431\u044b \u043d\u0435 \u0432\u043e\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u0442\u044c\u0441\u044f \u0442\u0435\u043c\u0438 \u043f\u0430\u0441\u043e\u0447\u043a\u0430\u043c\u0438, \u043a\u043e\u0442\u043e\u0440\u044b\u0435 \u043c\u044b \u0434\u043b\u044f \u0442\u0435\u0431\u044f \u043f\u0440\u0438\u0433\u043e\u0442\u043e\u0432\u0438\u043b\u0438, \u0442\u0435\u043c \u0431\u043e\u043b\u0435\u0435….. \u043d\u0430 \u0448\u0430\u0440\u0443!<\/p>\n <\/div>\n <\/div>\n

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\u0413\u0440\u0435\u043b\u043a\u0438 \u0438 \u0434\u0438\u0441\u0442\u043e\u0440\u0448\u043d\u044b<\/h4>\n <\/div>\n <\/div>\n
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\u042f \u0434\u0443\u043c\u0430\u044e \u0442\u044b \u0432 \u043a\u0443\u0440\u0441\u0435, \u0447\u0442\u043e \u0443\u0441\u0438\u043b\u0438\u0442\u0435\u043b\u044c \u043b\u044e\u0431\u0438\u0442, \u043a\u043e\u0433\u0434\u0430 \u0435\u0433\u043e \u0433\u0440\u0435\u044e\u0442. \u041a\u043e\u043d\u0435\u0447\u043d\u043e \u0436\u0435 \u043c\u044b \u0434\u0430\u0434\u0438\u043c \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0439 TS-9, \u0447\u0442\u043e\u0431\u044b \u0434\u0430\u0442\u044c \u0442\u043e\u0433\u043e \u0441\u0430\u043c\u043e\u0433\u043e, \u043d\u043e … \u0423 \u043d\u0430\u0441 \u0436\u0435 \u0435\u0441\u0442\u044c \u0435\u0449\u0435 \u0438 \u0446\u0435\u043b\u0430\u044f \u043a\u0443\u0447\u0430 \u0442\u0430\u043a\u0438\u0445 \u0436\u0443\u0436\u0430\u0449\u0438\u0445 \u0432\u043a\u0443\u0441\u043d\u044f\u0445…<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\u041c\u043e\u0434\u0443\u043b\u044f\u0446\u0438\u0438 \u0438 \u0438\u0441\u043a\u0430\u0436\u0435\u043d\u0438\u044f<\/h4>\n <\/div>\n <\/div>\n
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\u041c\u044b \u0432\u0441\u0435\u0433\u0434\u0430 \u043c\u043e\u0436\u0435\u043c \u0432\u043a\u043b\u044e\u0447\u0438\u0442\u044c G-Major, \u043d\u043e \u043d\u043e \u043c\u044b \u0436\u0435 \u0437\u0430\u0433\u043e\u0442\u043e\u0432\u0438\u043b\u0438 \u0434\u043b\u044f \u0442\u0435\u0431\u044f \u0443\u043d\u0438\u043a\u0430\u043b\u044c\u043d\u044b\u0435 \u0431\u0443\u0442\u0438\u043a\u043e\u0432\u044b\u0435 \u0430\u043d\u0430\u043b\u043e\u0433\u043e\u0432\u044b\u0435 \u0442\u0440\u0435\u043c\u043e\u043b\u043e, \u0432\u0438\u0431\u0440\u0430\u0442\u043e, \u0445\u043e\u0440\u0443\u0441\u044b, \u0444\u043b\u0435\u043d\u0436\u0435\u0440\u044b, \u0444\u0430\u0439\u0437\u0435\u0440\u044b, \u0447\u0442\u043e … \u043d\u0430\u0444\u0438\u0433 \u043d\u0443\u0436\u0435\u043d \u0442\u043e\u0442 G-Major<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\u0420\u0435\u0432\u0435\u0440\u044b \u0438 \u0434\u0438\u043b\u0435\u0438<\/h4>\n <\/div>\n <\/div>\n
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\u041a\u043a\u0430\u043a \u0436\u0435 \u044f \u043b\u044e\u0431\u043b\u044e \u0437\u0430\u0433\u043d\u0430\u0442\u044c \u0433\u0438\u0442\u0430\u0440\u0443 \u0447\u0435\u0440\u0435\u0437 \u0443\u043d\u0438\u043a\u0430\u043b\u044c\u043d\u044b\u0439 \u0430\u043d\u0430\u043b\u043e\u0433\u043e\u0432\u044b\u0439 \u0434\u0438\u043b\u0435\u0439 AAlberg \u0438 \u0440\u0430\u0437\u0432\u0435\u0441\u0442\u0438 \u0441\u0442\u0435\u0440\u0435\u043e-\u0441\u0438\u0433\u043d\u0430\u043b \u043d\u0430 \u0434\u0432\u0430 \u0440\u0430\u0437\u043d\u044b\u0445 \u043a\u043e\u043c\u0431\u0438\u043a\u0430 \u0438 \u0440\u0430\u0441\u0441\u0442\u0430\u0432\u0438\u0442\u044c \u0438\u0445 \u0432 \u0440\u0430\u0437\u043d\u044b\u0445 \u043a\u043e\u043c\u043d\u0430\u0442\u0430\u0445… \u0425\u043e\u0447\u0435\u0448\u044c \u0442\u0430\u043a?<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\u0424\u0438\u043b\u044c\u0442\u0440\u044b \u0438 \u044d\u0444\u0444\u0435\u043a\u0442\u044b<\/h4>\n <\/div>\n <\/div>\n
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\u0410\u0431\u0430\u0436\u0436\u0430\u044e \u044d\u0442\u0443 \u0443\u0431\u0440\u0438\u043a\u0443. \u0424\u0438\u043b\u044c\u0442\u0440 \u043e\u0442 Moog \u0438\u043b\u0438 \u0442\u0440\u0435\u043c\u043e\u043b\u043e \u043e\u0442 Tacana \u043d\u0435 \u0437\u0430\u043c\u0435\u043d\u044f\u0442 \u0430\u043d\u0430\u043b\u043e\u0433\u043e\u0432\u044b\u0439 \u043a\u0440\u0435\u0430\u0442\u0438\u0432, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u043c\u044b \u0437\u0430\u0433\u043e\u0442\u043e\u0432\u0438\u043b\u0438 \u0434\u043b\u044f \u0442\u0435\u0431\u044f, \u043d\u043e… \u043c\u044b \u0436\u0435 \u043d\u0435 \u043c\u043e\u0436\u0435\u043c \u0440\u0430\u0441\u043a\u0440\u044b\u0432\u0430\u0442\u044c \u0437\u0434\u0435\u0441\u044c \u043d\u0430\u0448\u0438 \u0441\u0435\u043a\u0440\u0435\u0442\u044b))<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\u041a\u043e\u043d\u0432\u0435\u0440\u0442\u0430\u0446\u0438\u044f \u0438 DAW<\/h5>\n <\/div>\n <\/div>\n
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When recording guitars, it\u2019s not just about the speaker you\u2019re using, but also the number of speakers in the cabinet \u2014 it has a huge impact on the density and character of your tone. And of course, the cabinet material is a whole universe in itself. That\u2019s why, as a dedicated guitar recording studio, we don\u2019t use MDF cabinets.<\/p>\n <\/div>\n <\/div>\n

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We\u2019ve carefully assembled a selection of 1x12\u2033 cabinets featuring different speaker models from leading brands, allowing you to capture the most detailed and true sound of your favorite speaker.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\u0417\u0432\u0443\u043a\u043e\u0432\u0430\u044f \u043a\u0430\u0440\u0442\u0430<\/h4>\n <\/div>\n <\/div>\n
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Compared to a 1x12\u2033, a 2x12\u2033 cabinet allows your favorite speaker to truly shine by pushing two speakers simultaneously. We keep both open-back and closed-back 2x12\u2033 cabinets to give you a wide range of sustain and tonal weight.<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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MixDream<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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Monitoring & Playback<\/h4>\n <\/div>\n <\/div>\n
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\u041f\u0440\u0438\u043c\u0435\u0440\u044b \u0440\u0435\u0430\u043c\u043f\u0438\u043d\u0433\u0430 \u043d\u0430 \u043d\u0430\u0448\u0435\u0439 \u0441\u0442\u0443\u0434\u0438\u0438<\/h2>\n <\/div>\n <\/div>\n
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\u041f\u0440\u0438\u043c\u0435\u0440 \u21161<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\u0421\u043b\u0443\u0448\u0430\u0435\u043c \u0447\u0438\u0441\u0442\u044b\u0439 DI \u0441\u0438\u0433\u043d\u0430\u043b, \u0437\u0430\u043f\u0438\u0441\u0430\u043d\u043d\u044b\u0439 \u043d\u0430 \u044d\u043b\u0435\u043a\u0442\u0440\u043e\u0433\u0438\u0442\u0430\u0440\u0435 PRS Custom 24, \u0447\u0435\u0440\u0435\u0437 DI-Box Little Labs \u0438 \u0441\u0442\u0443\u0434\u0438\u0439\u044b\u0439 \u043f\u0440\u0435\u0430\u043c\u043f Neve 1073<\/p>\n <\/div>\n <\/div>\n

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